Valentino high-definition series this time is not the most beautiful skirt?

The Valentino 2018 Spring/Summer Haute Couture Collection was staged yesterday. Starting from founder Valentino Garavani and now to the creative director Pierpaolo Piccioli, Valentino has been doing the same thing by bringing women's hearts to romantic and beautiful imaginations. Clothing makes you at your fingertips.

Pierpaolo Piccioli smashed into the classics in the classics, adding the windbreaker and wide-legged trousers that would be worn everyday in gorgeous haute couture suits, and this "floating" feather cap came from the "cap magician" Philip Treacy.

The haute couture shows are always filled with illusions. The illusions are woven from floating feathers, ornate beading, and flutter-like veil. However, these elements may also be stacked in the same “princess line.” However, it is obvious. In Piccioli, you are totally different about this issue.

The woman's dream is his blueprint, but he is holding a wise knife and scissors. Watching this show, you said that what you smelled was a breath of forest mist. Yes, those floating feather caps and extra long bow belts did reveal a little ethereal feeling, but Piccioli did not Throughout the use of skirts, those modern trousers and black stockings that appear from time to time have an urban flavor.

There are magical wizards in this show, as well as a gorgeous dress coat in the 50s and a funky girl in a 60s suit. They have their own extraordinary, but they are rich and interesting. This is more vivid than the gorgeous and inviolable princess dress from the beginning to the end.

If the dream goes too far, there will be no fumes; if only the United States, there will be no taste, and what Valentino has brought to you is vivid. There are thousands of flavors inside, and it is impossible to speak in a word or two.

Valentino is very good at using the silhouette of the dress to highlight the femininity, for example, you often see the H-Line profile on the Valentino show.

This H profile is not a rigid rectangular shape, but the shoulders fit, the skirt down drape style, step to walk the moment, the dress skirt will swing swing elegant arc.

Pierpaolo Piccioli also made a breakthrough in this season's profile.

The exaggerated tops with round shoulders are mixed with vertical lines of trousers and skirts, and the bell-shaped jackets are paired with the same volumetric dress skirts.

When you hear these descriptions, you may not be able to imagine that these contrasting silhouettes can live together peacefully, but Piccioli did just that. They conflict with each other, but they are indispensable.

Valentino's reds include 0% blue, 100% red, 100% yellow, and 10% black. This is the pure red, called Valentino Red.

When he was a teenager, Valentino Garavani met a woman dressed in a red velvet dress at the theatre, which had a major impact on his future designs. In an exclusive interview with VOGUE, he said: “She is different and she is proud and loyal. I told myself that if I were to be a designer in the future, I must use red with no shame.”

Here at Valentino, there is only a little red dress and no black dress.

Look at Valentino's advanced customization and must not miss the stunning details. Hats on the show floor were created by the hat designer Philip Treacy. As the models walked around, the feathers on the hat were flowing.

The brand's iconic “Valentino Red”, as well as the elements of the bow, also appear on the show floor.

The exquisite floral motifs on the skirt, romantic lace, and gorgeous taffeta, the fabric's sense of luxury and intricate craftsmanship can be felt in these high-profile dresses.

In terms of accessories, gold has dominated, and the three-dimensional earrings and neckwear are even more in line with Valentino's texture of contemporary chic and classical art this season.

You may like many brands, but you will only fall in love with Valentino.

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